![]() While Wyatt sneaks away from the bunker to face an unbelievable truth. The team head to 1941 Hollywood to track down another Rittenhouse sleeper agent. The team track Emma to 1955 South Carolina where a Rittenhouse sleeper agent is about to be activated. Royster, author of "Black Country Music: Listening for Revolutions" and professor of English at DePaul University and Jake Blount, musician and interpreter of traditional Black folk music. Wyatt and Rufus chase the Mothership back to 1918 France to try and rescue Lucy. So, what do we lose from the original song when a cover is produced? And how does the long history of white artists finding success covering Black music play into the current music landscape? ![]() The discourse around the cover was detailed in a recent article by the Washington Post. The song earned Chapman a Grammy back in 1989 for Best Pop Vocal Performance and became a staple for a generation, but Combs' cover may soon surpass the original's legacy. 1 on the Country Billboard's Top 100, a feat Chapman herself could've never imagined thirty years ago when the song was originally released. The complicated history of covers has come back into light with Luke Combs' rendition of Tracy Chapman's "Fast Car" reaching No. Even now, when covers are seen more as a tribute to the original, the waters get murky on whether it's a true homage or an appropriation. Covers have a history of allowing white artists to eclipse the Black musicians who created them. However, such practices have enabled stars like Elvis and The Beach Boys to have some of their most iconic songs not even be their own. Singing songs written by other artists or performing your own rendition of a classic are standard practices in music. ‘Fast Car’- The Long History Of Appropriation And Cover SongsĬovers are nothing new. Joining us today on AirTalk is Will Friedwald, music journalist and co-author of “The Good Life: The Autobiography Of Tony Bennett,” Michael Feinstein, five-time Grammy nominee and founder of the Great American Songbook, non-profit organization educate by celebrating the timeless standards of pop, jazz, Broadway and Hollywood and Clayton Cameron, Tony Bennett’s drummer for 13 years during his resurgence. There was no specific cause, but Bennett had been diagnosed with Alzheimer’s disease in 2016. Publicist Sylvia Weiner confirmed Bennett’s death to The Associated Press, saying he died in his hometown of New York. He was 96, just two weeks short of his birthday. Tony Bennett, the eminent and timeless stylist whose devotion to classic American songs and knack for creating new standards such as “I Left My Heart In San Francisco” graced a decades long career that brought him admirers from Frank Sinatra to Lady Gaga, died Friday. ![]()
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